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Contact Natalie Merchant |
| Full Name: | Natalie Merchant |
Get that fuzzy feeling inside...
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Old Blue Bus - Found Sep. 18, 2008 ... of artists, including The Be Good Tanyas, Annabelle Chvostek (of the Wailin? Jennys), Melissa Ferrick, Natalie Merchant and Earl Scruggs. |
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Idolator - Found Aug. 15, 2008 The Sugarcubes and 10,000 Maniacs were Modern Rock staples, as were Bjork and Natalie Merchant when they initially went solo. |
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Jonk's Music Blog - Found Aug. 10, 2008 The Twins keep the listener entranced all the while with their dulcet, chanteuse vocals, reminiscent of Natalie Merchant or a younger Emmylou... |
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i guess i'm floating - Found Jul. 31, 2008 Unreleased) When artists like Emmylou Harris, Tori Amos, The Flaming Lips, and Natalie Merchant cover your song you know you've made a... |
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Digital Spy - Found Oct. 4, 2008 The Cooper Temple Clause: 'Did You Miss Me'Natalie Merchant: 'Just Can't Last'Pendulum: 'Slam'Amy Winehouse: 'Amy Amy Amy'Unkle: 'Burn My... |
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Minor League Baseball - Found Sep. 26, 2008 ... home: Lucille Ball Roger Goodell (NFL Commissioner) Robert H. Jackson (Supreme Court justice) Natalie Merchant (musician) The Night of 42... |
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Cleveland Free Times - Found Sep. 24, 2008 ... freewheeling manner in which it interprets them - particularly with Nevins' Emmylou Harris/Dolly Parton/Natalie Merchant warble and Puryear's... |
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Idaho Statesman - Found Oct. 3, 2008 Her pleasantly restrained, yet powerful singing, often reminiscent of Natalie Merchant, melds well with the all original, mostly acoustic... |
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Tonight South Africa - Found Sep. 16, 2008 Lilith Fair - and some of the other women who are associated with that music festival such as Sheryl Crowe, Lisa Loeb and Natalie Merchant. |
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MPNnow.com - Found Sep. 25, 2008 Records signed them in 1988 amid the success of such performers as Tracy Chapman, Suzanne Vega and the Natalie Merchant-fronted 10,000 Maniacs. |
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Natalie Merchant
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| This article may require cleanup to meet Wikipedia's quality standards. Please improve this article if you can. (August 2007) |
| Natalie Merchant | |
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Merchant in 1984
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| Background information | |
| Birth name | Natalie Anne O'Shea Merchant |
| Born | October 26, 1963 Jamestown, New York, USA |
| Occupation(s) | Musician, Songwriter |
| Instrument(s) | Vocals, keyboard, piano |
| Voice type(s) | Contralto [1] |
| Years active | 1981 - present |
| Associated acts | 10,000 Maniacs |
| Website | http://www.nataliemerchant.com |
Natalie Anne O'Shea Merchant (born October 26, 1963 in Jamestown, New York, U.S.) is a professional musician. She joined the alternative rock band 10,000 Maniacs in 1981 and left it to begin her solo career in 1993. Merchant has a vocal range of a contralto. [2]
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Her paternal surname Merchant is of Sicilian origin and was originally Mercanto before being Anglicised. The name O'Shea is on her maternal side; they are of Irish extraction.
As a child, her mother listened to music (Beatles, Al Green, Aretha Franklin)[3] and encouraged her children to study music, but she wouldn't allow TV after Natalie was 12. "I was taken to the symphony a lot because my mother loved classical music. But I was dragged to see Styx when I was 12. We had to drive 100 miles (160 km) to Buffalo, New York. Someone threw up next to me and people were smoking pot. It was terrifying. I remember Styx had a white piano which rose out of the stage. It was awe-inspiring and inspirational."[4] "She [her mother] had show tunes, she had the soundtrack from West Side Story and South Pacific. And then eventually... she'd always liked classical music and then she married a jazz musician, so that's the kind of music I was into. I never really had friends who sat around and listened to the stereo and said 'hey, listen to this one', so I'd never even heard of who Bob Dylan was until I was 18.".[5] During 1988-1989, Natalie claimed she still didn't have a TV: "I grew up in a house where no one watched the news on television and no one read the paper. I've been discovering these things as I get older, and the news has affected me more than it ever has before."[6] Her mother raised Natalie and her siblings alone, as Natalie's parents divorced in 1972. Her mother later remarried.[3]
She is married and has a daughter. She likes gardening and painting.[7] Some paintings can be seen at her official website.
While she has been a vegetarian since 1980[8] due to her pregnancy she once again resumed eating meat[9]. She once said: "The '60s aesthetic has never really appealed to me, the tie-dyed Deadhead running barefoot through the forest on LSD. I don't think that's really me. But I've been a vegetarian for 17 years and I consider myself an environmentalist inasmuch as I can be, considering the job that I have. I prefer living in the countryside rather than the city; I find it more sane and sustaining for myself.[10]
Merchant was lead singer and primary lyricist for the band 10,000 Maniacs, joining in its infancy in 1981 while she was a student at Jamestown Community College.
Merchant has said in interviews that after her split with 10,000 Maniacs she was so eager to begin writing her own material that she went home that very day and composed the song “I May Know The Word,” which was originally meant to appear on the soundtrack to the Tom Hanks movie, Philadelphia. The song was eventually cut from the soundtrack, but it would go on to appear on Merchant’s debut solo album, Tigerlily, which was released on Elektra in 1995. Merchant chose to name the album Tigerlily as she felt it captured the feel of the album, which she described as both “fierce” and “delicate.”
Seeking creative control, Merchant chose to fund Tigerlily herself, refusing the advance from the record company. She also wanted to work with a core-group of young musicians who she felt would be enthusiastic about the music. The group would consist of guitarist Jennifer Turner, bassist Barry McGuire, and former-Wallflower and eventual boyfriend to Merchant, Peter Yanowitz, who played drums on the album and who continued to do so with Merchant until their abrupt split in 2000.
Tigerlily was a critical and commercial success, spawning her first top-ten hit in the single Carnival, and achieving top-forty success with subsequent singles Wonder and Jealousy. The album would go on to sell nearly 5 million copies, and continues to be Merchant’s most successful album to date. Merchant did extensive touring for the album and made numerous television appearances, including performances on SNL, The Rock and Roll Hall of Fame, and all late-night talk shows.
Three years passed before Merchant would release her sophomore solo effort, Ophelia. While Tigerlily contained a lot of sparse instrumentation, the music on Ophelia featured plenty of lush symphonic arrangements composed and conducted by British composer Gavin Bryers. Merchant treated the recording of Ophelia as a series of workshops, where she would invite a various musicians she had met over the years into her home studio to collaborate and record. In the end, 30 different musicians featured on the album, among them Brand New Heavies frontwoman N'Dea Davenport (with whom she duets on the song Break Your Heart), famed trumpet player Chris Botti, and the husband and wife duo, Don and Karen Perris, from the band The Innocence Mission.
While Ophelia is not a concept record in the traditional sense, the album-cycle saw Merchant flexing her creative muscles in surprising ways. The name of the album and the title track are a literary reference to Shakespeare's Ophelia, who in the play Hamlet becomes mad and eventually commits suicide. Merchant's Ophelia describes a woman who is also mad and suffering from what appears to be Multiple-Personality Disorder. Ophelia is described as being at once a "novice carmelite," a "suffragette," a "circus queen," a "demigoddess" and a "mafia courtesan." The album sleeve saw Merchant pictured in colorful and ornate costumes as each of these different characters. As a companion to the album, she also released a film where she portrays each of these different characters, with voice-overs used for the "novice carmelite," the "sweetheart" and the "courtesan" as they are Latin, German and Italian, respectively.
The first single off the album was a happy and uncharacteristically simple song called Kind and Generous, which received massive airplay on VH1 and which solidified Merchant's role as a bonafied solo artist. That summer Sarah Maclachlan invited Merchant to co-headline the year's biggest music festival with her, Lilith Fair, which took her to over 50 different cities and proceeds from which were donated to various charitable organizations in each city. The exposure from the tour helped the album reach Platinum status in just under a year, with subsequent singles Break Your Heart and Life is Sweet receiving moderate airplay on adult contemporary stations. No video was filmed for the latter, however, with a clip from Merchant's appearance on VH1's Storytellers being used instead. She would also go on to appear on PBS' Sessions on West 54th and VH1's Hard Rock Live before the year's end.
The Ophelia tour ended in 1999 with the final few shows being performed and recorded on Broadway. The performance would be released as the album Natalie Merchant: Live in Concert with a companion video of the same name. The performance was notable in that it featured numerous covers including songs by David Bowie, Neil Young, and Irish singer-songwriter Katell Keineg.
In 2000 Merchant embarked on a Folk Tour in the states with many shows being supported by alt-country band Wilco. Having always had an interest in folk music, she finally decided to do extensive research, unearthing many long-forgotten songs. Merchant took liberty with many of the songs' musical arrangements and she also performed many contemporary songs which she felt were essentially "folk" music in their own right. Among these songs were "Sally Ann" by The Horseflies and "Crazy Man Michael" by British band Fairport Convention. The tour would later inspire Merchant's folk album The House Carpenter's Daughter released in 2003.
Notable about Merchant's folk tour was the noticeable change in her vocal style and sound. Always known for having a very clear and distinctive voice, Merchant's vocals began to sound considerably deeper and more scratchy.
Merchant's next studio album on the Elektra label was Motherland, released in 2001. Motherland saw Merchant at her most experimental musically. Motherland achieved Gold on the Billboard charts after debuting at No. 30 on the Billboard 200 and No. 13 on the Top Internet Albums of 2001, retrospectively. Rolling Stone favored this album with 3 1/2 stars, and also noticed a difference in Merchant's voice, which was more deep and gritty than her previous albums.
Merchant vamped on a year and a half world tour to promote Motherland. The first leg of the tour started in Minneapolis, Minnesota on October 17, 2001, trekking all over the United States, and then heading to Europe with some special acoustic shows in Europe. Merchant also participated in the Rock am Ring Festival and Rock im Park in 2002.
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Title: Natalie Merchant Wonder
Description: A blast from the past. I heard this in a Sizzlers today, and when I didnt see the video on here, figured Id upload it.

Title: Natalie Merchant / Carnival (video)
Description: this is the official video for Carnival. The first single released off the Tigerlily album. Both album and single went Top 10 in the US.
Title: Ophelia by Natalie Merchant
Description: Directed by Mark Selinger, the 7 women who dwell in Natalie Merchant

Title: 10,000 Maniacs / Natalie Merchant These Are Days
Description: 10.000 Maniacs with Natalie Merchant From "Our Time In Eden" Album. We used to watch this video in the Brazilian MTV, me and my mother until that day...